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Sadhana is an Indian actress born Sadhana Shivdasini

Sadhana married R.K.Nayyar in 1965, but lost him after three decades of marriage, and had miscarriages. She now lives alone and does not like to be photographed.
Sadhana's film Mere Mehboob (1963) with Rajendra Kumar was one that helped make her career and is said to have some of her most beautiful closeups in early Technicolor. However, it was Raj Khosla's "Woh Kaun Thi?" (1964) which really became a landmark in her career and gave her the image of the "mystery girl," where her spellbinding performance kept everyone guessing to the very end. The film became a huge hit and earned her her first Filmfare nomination as Best Actress. Khosla was so enthralled with her performance that he would cast her in two more big-budget mystery films, Mera Saaya (1966) and Anita (1967). She would earn her second Filmfare nomination as Best Actress for the blockbuster Waqt (1965), where she set another fashion trend with her tight churidar kurtas.
Sadhana Shivdasani (Sindhi: ساڌنا شوداساڻي)(born 2 September 1941[1]), better known mononymously as Sadhana, is an Indian actress who was one of the top stars in the 1960s and the early 1970s.
Early life[edit]
Born in a Sindhi family[2] in Karachi, British India, Shivdasani was named after her father's favorite actress-dancer Sadhana Bose. Her father was the brother of actor Hari Shivdasani, father of actress Babita.

The family fled from Karachi during the post-Partition riots and settled in Mumbai. Her mother home-schooled her until she was 8 years old and she later on did her schooling from Auxilium Convent, Wadala and further education from Jai Hind College.[3]
Career[edit]
Beginning[edit]
Sadhana aspired to be an actress from childhood. Her father helped her enter films. In 1955 she played a chorus girl in the song "Mur mur ke na dekh mur mur ke" in Raj Kapoor's Shree 420.[4][5] When she was 15 years old, she was discovered by some producers who had seen her act in a college play. They cast her in India's first Sindhi film titled Abaana (1958), where she played the role Sheila Ramani's younger sister.[4] She was paid a token amount of 1 rupee.[citation needed]

A photograph of her publicizing the film appeared in a movie magazine Screen. It was then that Sashadhar Mukherjee, one of cinema's major producers at that time, noticed her. She joined Mukherjee's acting school along with her debutant co-star Joy Mukherjee, who is Sashadhar’s son. R. K. Nayyar, who had previously worked as assistant director on few films, directed this film. He also created her trademark look called Sadhana cut inspired from Hollywood actress Audrey Hepburn.[4][6] The Filmalaya Production banner thus introduced Joy, Sadhana and her iconic hairstyle Sadhana cut in their 1960's romantic film Love in Simla. The film was declared a hit at the box office and was listed in the top 10 films of 1960.[7] Sadhana played the role of a simple, bespectacled girl who is transformed by her grandmother into a beautiful young woman and encouraged to pursue the hero. In the film, Sadhana wins a beauty contest and is awarded a three-year film contract with Filmalaya, which was the case in real life too. During this period she would again work under the same banner opposite Joy Mukherjee in Ek Musafir Ek Haseena.[8]

Breakthrough[edit]
Alongside Love in Simla, Sadhana was signed by acclaimed director Bimal Roy for his satirical film on Indian democracy, Parakh. She portrayed a simple village girl's role in this multi-award-winning film. In 1961's other hit[9] film Hum Dono she played the love interest of Dev Anand. This black-and-white film was colourized and re-released in 2011. Rediff.com in the film's review writes about Sadhana; "Her eyes, expressive and captivating, do most of the work, while she balances out her submissiveness with a firm tongue."[10] The Rafi – Asha duet "Abhi Na Jaao Chodkar" remains evergreen. In 1962, she was again paired with Dev Anand in Asli-Naqli by director Hrishikesh Mukherjee. The same year saw director-screenwriter Raj Khosla casting her opposite Joy Mukheerjee in his musical film Ek Musafir Ek Hasina. In future, Khosla would pair with Shivdasani to make their famous suspense thriller trilogy.

In 1963, Shivdasani played her first role in a technicolour film Mere Mehboob directed by H.S.Rawail. The film was the "Blockbuster" film of 1963[11] and ranked in the top 5 films of the 1960s.[12] The scene where Rajendra Kumar encounters Shivdasani for the first time and sees her eyes through her burqa stands as one of the most remarkable scenes of Hindi film industry. Notable actor Danny Denzongpa describes the visage of Sadhana in a burqa with just her eyes visible as "unforgettable."[4]

Shivdasani in 1964 played her remarkable double role in the first of the suspense-thriller trilogy, Woh Kaun Thi?. This white-sari-clad performance opposite Manoj Kumar earned her first Filmfare nomination as Best Actress. Through this role she got to be part of Lata Mangeshkar – Madan Mohan’s all time classics like "Naina Barse" and "Lag Ja Gale". Rediff.com in their review of the film called her a show-stopper "with an intriguing Mona Lisa-like smile".[13] The film was a box office "Hit".[14] Raj Khosla cast her in two more mystery films, Mera Saaya (1966) and Anita (1967) thus making her famous as the "Mystery girl". Mera Saaya, a box office "Super Hit"[15] courtroom drama film again saw her playing a double role, now opposite Sunil Dutt. The song "Jhumka Gira Re" sung by Asha Bhosle and composed by Madan Mohan saw Shivdasani perform dance steps choreographed by Saroj Khan. Khan was then an assistant to dance director Sohanlal. The song became so popular that excited audience in cinema halls used to throw coins at the screen.[16] The film also had other classic songs "Naino Mein Badara Chhaye" and the haunting theme song "Tu Jaha Jaha Chalega, Mera Saaya Sath Hoga", both voiced by Lata Mangeshkar.

The second Filmfare nomination as Best Actress came to Shivdasani for the role of Meena in Yash Chopra directorial saga Waqt (1965). Shivdasani stood out in Bollywood’s first ever ensemble cast by bringing along the fashion of tight chudidar-kurtas.[4][17] The film proved to be 1965’s "Blockbuster".[18]

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